Research within the practice examines how meaning survives change, how attachment, identity, and images retain force under conditions of loss, acceleration, and substitution. Each body of work develops a distinct line of inquiry.
Timeless Love considers attachment beyond presence and how memory becomes a structure that sustains and alters emotional continuity. The Butterfly Series addresses transformation as a site of rupture, where emergence entails the dissolution of a prior state, and where fragility and beauty are structurally linked.
Posthuman interrogates subjectivity under conditions of acceleration and overstimulation, where an abundance of images and choices coexists with detachment and dissatisfaction. The work asks what becomes of presence when experience is perpetually measured against elsewhere or elsewhen. The photographic image is held in its immediacy without retrospective idealisation as a methodological refusal of correction.
The paintings extend the inquiry through landscape, architecture, animals, and symbol, treating visual culture as an archive of accumulated memory where earlier histories continue to operate within contemporary perception. The research returns repeatedly to continuity, to what remains after transformation.